Recommendation: Genshiken

I’m now back from Melbourne, and staying put for the rest of the year, finishing off my book. I’m about halfway through the “House of Odd” inks, and it’s a good feeling to be close to the finishing line! I’m looking forward to finishing the inks at the end of this month.

While I’m at it, I’m making another manga recommendation, this time for something a bit different to what I usually read. If I must describe it in a sentence, I will call it a “character-centered dramedy about Japanese Otaku culture” – aka Genshiken. Otherwise known as “the Society for the Study of Modern Visual Culture”.

 
 

Genshiken (Kio Shimoku)
(9 Volumes, though it’s continuing in a 2nd series)

NB. “Otaku” is the Japanese word for “fan”, denoting anyone who is an obsessive fan of anything. In this instance, nearly all the characters in Genshiken are Otakus of manga, anime and video games. In English, the word “Otaku” mostly refers to manga/anime obsessives, though in Japan it’s used in all instances that involve crazy fandom.

Genshiken was published by Del Rey in English, and boy, am I glad they translated it, because this would otherwise have completely flown under my radar. For some reason, while I’ve seen much more obscure fare in Chinese translations, I’ve not once seen this manga in Chinese stores. Which is… strange. Perhaps it’s too culturally-specific for Chinese audiences to care, whereas English readers will consider this study of Japanese Otaku-ism as a very “hip” reading experience. Mind you, if you’re looking for a window into the lives of Japanese Otaku, this is a very accessible and very well-written series.

 


 

Plot
The main character of Genshiken is freshman Kanji Sasahara, who finally fulfills his long-held dream of joining an Otaku club. The club he joins is called “Genshiken”, short for “the Society for the Study of Modern Visual Culture”, filled with a variety of interesting characters who all share a common obsession – Manga, Anime and Video-gaming. For Kanji, it’s his first time openly hanging out with like-minded people, and he forms a bond with them, eventually learning to accept the parts of himself he was always ashamed of. Especially when he sees the antics of other members who join after him – including fanboy Kousaka, who despite being a hardcore Otaku, is very, very good-looking (and very, very strange).

 

 

Kousaka attracts a “normal” to the club, a strong, opinionated young woman called Saki Kasukabe, who has had a crush on Kousaka ever since they grew up in the same neighbourhood. Running into Kousaka again in her freshman year surprised Saki, but she was appalled when she discovered what he was now into. Undeterred by the weirdness of the Genshiken folks, Saki pursues Kousaka relentlessly, trying to “normalise” him, to little success. Saki’s trials and tribulations with Kousaka becomes the story’s second thread, as she is lead on a crash-course through cosplay, conventions, video-gaming, figurine-collecting and other staples of the Otaku lifestyle.

 
 

Why I Recommend this Story
Genshiken’s genius lies in its accessibility, which sets it apart from other manga about Otaku culture. People reading this blog will know what an “Otaku” is because I explained it above, but generally when you talk to other people about “Otakus”, you get 3 possible reactions: (a) incomprehension, (b) interest if they are American and into manga/anime culture, and (c) a vaguely-disgusted look if they’re Japanese and not interested in manga/anime. You see, Otaku-culture may be Japanese in origin, but these people are considered social outcasts in Japan.

 

 

I actually sorta agree with Madarame here (skinny guy with glasses).

 

 

Unlike other countries where Japanese pop culture has taken root, Japanese Otaku are like Trekkies or Furries – they are looked down on by the general populance as unbearably geeky and socially-challenged. Genshiken is well-aware of this, and instead of telling the story from the perspective of a down-trodden fan, it tells the story of a “normal” who has stumbled into this gathering of freaks and geeks, and due to reasons outside her control, is forced to (grudgingly) hang-out with them, and even try to understand them. Saki Kasukabe and her clashes with her Otaku “friends” is what gives Genshiken a lot of its human comedy, and to Kio Shimoku’s credit, he never softens Saki, and never makes her into a would-be fan who is just waiting to be converted by the “right” anime. At the end of the series, Saki is still resistant to Otaku culture, but she is now willing to overlook and accept what was once so irritating to her. Likewise, all the other characters grow and change throughout the series, and it’s rewarding (and a little sad) to watch them survive their university days and enter the workforce.

Genshiken has a great sense of its characters, who are a varied bunch. Many of them feel like “types” you would encounter at a fan convention, and their interactions has a feel of the “real” about it. Certainly the creator has spent a great deal of time hanging out with Otaku, and if you’ve done the same, you would probably smile in recognition at some of the scenes. The environments also have a wonderful sense of the clutter that such people would collect in their obsessive hunt for the right “doujinshi”, and the meeting room for the Genshiken folks is rendered in loving detail – possibly from a photo of such a meeting room in real life. The dorm rooms of its members, the shops in Otaku central Akihabara, the mass gathering-place of Otakus on their yearly pilgrimage – these are all drawn with a level of care that underscores how much of this series is grounded in the real (if not exactly reality).

 

 

Like all good things, Genshiken does come to an end, a satisfying conclusion at a short 9 volumes. I wonder why the series isn’t longer, because I certainly would have liked to see what the characters did when they became fully-functioning adults (as full-functioning as these kinds of people can be). Perhaps that’s why there’s a second series, separate to this first one, that follows these characters while making room for new, younger members. Personally, I haven’t read it, but I would be looking out for it if it were available in English.

 

Recommendation: One Piece

This week, I’m recommending a pirate story that involves little-to-no actual “pirating”. A story that is quirkily-drawn, richly-characterised, tightly-plotted and original in every atom of its being. Yes, I’m recommending One Piece. What else fits that description?

 

One Piece (Eichiro Oda)
(62+ Volumes)

One Piece is a publishing phenomenon. It’s the best-selling manga series of all-time. It has beaten Japanese first print-run records multiple times, the latest record being 3.8 million copies for volume 61. It has been nominated for, and won, multiple awards. It has sold over 230 million books (and we’re only halfway through the story).

So, if you’ve been living under a rock and haven’t yet heard of One Piece, you will eventually hear about it. Might as well be from me.

 

Plot
One Piece is about a 17 year-old “pirate” known as Monkey D. Luffy, a gluttonous and eternally-cheerful kid who possesses the power to stretch his body. When Luffy was young, he consumed something called a “Devil Fruit”, which endows the person with a unique power, but which also makes them unable to swim. A bit of a problem when the world you live in consists mostly of islands, and your dream is to become the King of all pirates.

Luffy quickly gathers some crew members and sails off to the “Grand Line”, a thin stretch of ocean full of danger and adventure. At the very end of the Grand Line is the island Raftel, where the previous Pirate King Gold Roger is said to have buried his greatest treasure – the “One Piece”. Whoever finds the One Piece will become the next Pirate King, and as you can imagine, many other dangerous people are also seeking the One Piece for themselves. Luffy gathers more crew members as he traverses the Grand Line, and encounters lots of strange enemies, many who also have “Devil Fruit” powers.

 


 

Why I Recommend this Story
I love One Piece, but I didn’t always love it. I admit that when I first encountered this story in a late-90s issue of Shounen Jump, I was put off by the weird and stylised drawings. The characters were elongated, the designs were bizarre to the point of silliness, and the humour in it was goofy. If I had bothered to read it properly, I would have realised that the story-telling was solid and that the plot dense and engrossing, but I wasn’t interested. It wasn’t even until much later that I realised that as wacky as One Piece‘s art style was, it was also unique, expressive, and more technically accomplished than most manga artists.

 

 

Years went by, and after hearing multiple people rave about it, I eventually went back to One Piece. And this time, instead of reading one or two issues, I picked up the first 10 volumes and read it all in one sitting. Looking back, I’m glad I did, because One Piece is, no joke, one of the best adventure stories ever created, in any medium. It has possibly the most creative, well-rounded fantasy universes ever wished into being, and if you’re looking to create epic fantasy yourself, One Piece is necessary study. You actually can’t do better than this, in terms of action-adventure.

Ofcourse, with this being a Shounen Jump title, there’s still plenty of room for Pirate-King wannabe Luffy and his crew to Ad-ven-ture~, while extolling the virtues of Dreams! Courage! and Friendship!! All Shounen Jump titles are required to have these values by default, including a healthy dose of battle/action scenes, a formula created by Dragon Ball and responsible for selling hundreds of millions of manga volumes. I’ve read plenty of manga who followed in Dragon Ball’s long shadow, and One Piece is the first, and possibly the last, shounen-fighting manga series to ever completely transcend the box it started in. It surpasses the best parts of Dragon Ball in every possible way – in the inventiveness of the fighting, the richness of the world, the continuity and complexity of the plot, the interplay between the characters… I’d go on, but I’ll just mention that One Piece is the only serial manga I know of that still manages to be fresh, innovative and engrossing at volume 62. Most manga series die around volume 30-40, and anything that comes after is overkill, but Oda definitely planned his story out from the very start – and it shows. When you invest emotionally in this series, you’re rewarded, instead of being jerked around because the creator didn’t properly plan out the story.

There’s also one final element of One Piece I find unique – the juxtaposition of goofy humour with heart-wrenching character moments. As I said earlier, the humour in this story put me off initially, mostly because I thought a story with such a childish sense of humour couldn’t possibly handle serious character drama… but how wrong I was. It’s a testament to Oda’s strength as a story-teller that he can muster both humour and sadness at the same time, and One Piece is one of the few manga that I can call genuinely moving. It’s actually changed my impression of the role of comedy in my own stories – from something to be avoided to something to be embraced.

 

 

Since One Piece is a daunting 62 volumes and counting, I can imagine how picking it up can be a scary experience. People don’t want to waste time on things they may not enjoy, but I also feel that reading just a few volumes isn’t sufficient to judge this story. So I will suggest reading from volume 1~12 first, and if you still don’t enjoy it, don’t bother continuing. As great as One Piece is, it’s one of those stories you either love or hate. If it’s not your thing, it’s not your thing – what can I say?

 
 

I end this with one of my favourite moments from early One Piece:

 
 

 

 

 

 

 

 

Recommendation: Berserk

It’s been a long, long while since I made a manga recommendation. I made quite a few when I first started blogging, but as work and other distractions took over, I found I had less time to blog. It’s a pity, because in the years since I last made my recommendations, I’ve read many books/manga, played many video games, and watched many movies that I love very much. Writing about them seems a great way to get back into the habit of blogging, now I have a new site and all.

 

You can see my previous recommendations on my “Other Writings” page. This recommendation is for something that is definitely R-rated, the dark fantasy manga Berserk.

 

BerserkBerserk (Kentarou Miura)
(35+ Volumes)

Berserk is a very dark fantasy manga, and not at all for children. It’s got an anime series that stopped at around volume 13, and the English-language version is currently being published by Dark Horse. However, if you’re not over the age of 18, you seriously should not be looking at anything from Berserk – I’m not kidding about it. Not only is it not for under-18s, it’s not for anybody who is faint of heart.

 

Plot
Berserk is a dark story about a cursed man named Guts, a mercenary doomed to battle demons (both real and personal) on a nightly basis. He lives in a medievil world of warring nations, religious fanatics and demons who feed off human hatred and lust. He himself became cursed when he joined the mercenary band called the Hawks, led by their charismatic leader Griffith; a young man of low birth who aspires to lordship and kinghood. A series of extraordinary and unfortunate events led to Griffith’s downfall, and Griffith, in return for immortal power, decides to sacrifice his entire mercenary band to the God Hand, a group of powerful demonic creatures. Guts and Casca, the woman he loves, were the only survivors of the grisly event, but in turn they were both marked by a scar that will bleed nightly and cause demons to hunt them down.

To evade them, Guts becomes the “Black Swordsman”. Taking a mad Casca with him, he criss-crosses the world, trying to hunt down and kill Griffith. He fends off fearsome demons on a nightly basis, and gains a group of fairly powerful companions in his quest. Meanwhile, the war between the Kingdom of Midlands and the Kushan Empire continues to rage, as Griffith returns in human form as a Conqueror of the World.

 

Why I Recommend this Story
If Heaven and Hell were at war, and Satan was winning, you’ll get Berserk. If you took the stuff of your worst early-morning nightmares and gave it form on paper, you’ll get Berserk. It pulls no punches on the grittiness front, and you simply won’t find a darker fantasy manga, or a better-drawn one. It’s also wall-to-wall with violence and rape, and for once, I have to say that all this actually adds to the story, rather than detract from it. Yes, people. Berserk is a story that needs to be told with flying heads, limbs, torsos; fountains of blood and emotional anguish… because that’s the kind of story it is. And to his credit, Miura never shies away from the horror and the essential ugliness (yet also beauty) of the world Guts exists in.

Despite the great art, where Berserk makes its greatest impact is in the story and characterisations. Its story of revenge and redemption has a horrifying kind of fascination to it – the kind where you can’t help but feel that Fate has a vice-like grip on Guts; and that him, Casca and Griffith are destined to act out the plans of a higher power. Whether the power is good or evil, no one can say. I can say that the relationship between Guts, Griffith and Casca in the first 14 volumes was engaging and well-written, and truly gut-wrenching when you see the outcome. The relationship between Guts and the group of companions he gains later on is also interesting to watch as it develops, as some of the characters change radically in their outlooks and motivations. Possibly the only issue I have with Berserk is that some of the rape scenes aren’t necessary. They don’t add to the plot, they don’t detract from it either, but I’ll rather not see it in there sometimes, that’s all.

Overall, if you’re into dark fantasy, you can’t do any better than this series. It’s well-written, well-drawn, and always true to its spirit, no matter how terrifying or shocking that may be. It also explores themes of religious fanaticism, of love and forgiveness, of the cruelty of the class system, ideas of good and evil… and so on. It may not have any answers to them, but it explores them effectively, and takes them to its logical conclusion. Berserk is, after all, a very morally ambiguous universe, and who knows if Griffith comes again as a dark lord, or as a force for good? Given it’s 35 volume and counting, it’s impossible to predict where this could lead.

 

Is Berserk misogynistic because of the rape scenes in it?
This is a genuinely interesting question. In the second-last paragraph, I mentioned rape scenes that don’t add to the plot, and could easily be taken out if the author-artist wanted it to. This is a touchy subject, because while Berserk features rape for a reason – so do a whole lot of other stories in other mediums. It’s not uncommon to use rape of womenfolk as a kind of plot device, a motivating factor in stories for the hero to then go on a rampage (thus giving us a story). Sometimes it’s done well, sometimes it’s accused of misogyny. So what makes rape as a plot device acceptable, and when is it not acceptable?

I had a debate with Yunyu, and we both agreed that the graphic rape in Berserk is not misogynistic. In the story, there was a very graphic rape scene of Casca, and various other rape scenes, but our verdict was based on how Casca was treated before and most importantly, after the rape, not so much during it. Could the graphic rape be toned down? Well, sure, but the overall graphic violence could also be toned down as well – and then Berserk will be a completely different story.

What the deciding factor for us was, was that Casca wasn’t raped and then thrown away like a plot device after the hero gains his revenge motivations. There are some that will argue that because Casca was a strong warrior-woman before the rape, yet a mad and useless character after it, the character change reeks of misogyny. Yet if it truly did, you would never see Casca again after her rape – but you do. Not only do you see Casca, but she’s around 24/7 with Guts; she accompanies him on his journey even though she’s a huge burden, and at no point is she treated as inconsequential. Say what you like about Casca’s madness, but she’s an important character in her own right, and continues to be, even after Guts is joined by other strong female characters like Schierke and Pharness.

I guess that’s what gives Berserk a pass in my book, even though I find it annoying that only the women are graphically raped. I should also mention that while Casca is a rape victim… so is Guts and Griffith. Guts was raped as a child, and Griffith sells his body at one point to raise money for his mercenary band, so all three main characters are rape victims. Guts’ rape affected him deeply, so from that perspective, Casca’s madness and her being around as a constant reminder is probably the author’s way of showing that rape has permanent effects, and is not to be taken lightly. And in this story, it isn’t.

Perhaps that’s where Berserk differs the most from other stories that use rape as a plot device. Other stories have women characters raped, and once they’ve served their purpose, they disappear from the story as if that’s their sole purpose for existing. Berserk doesn’t do that, and despite being much more graphic, successfully manages to show that rape has life-long consequences, and doesn’t shy away from the reality of dealing with that kind of trauma. For that reason, I would argue that Berserk isn’t misogynist in its depictions of violence to women.

 

Boy’s Book of Positive Quototions

Hi all! This book is available on the shelves now and on Amazon.com, and it’s a fantastic gift item for the upcoming Christmas season – the “Boy’s Book of Positive Quotations”, written by Steve Deger and illustrated by Yours Truly. As the title suggests, it’s a book of uplifting quotations, perfect for young boys (but just about anybody), with 33 short self-contained comics interspersed throughout.

 

It’s a 4″ x 6″ bound hardcover book and a super cute gift item, and available from typical bookstores and also Wal-mart. I worked on this from January till May this year, and now that it’s finally on the market with a trailer of awesomeness *points down* that I get to urge you all to get a copy of this book. It’s part of a best-selling inspirational book series, and the first one to have comic inserts – certainly this can only be a good thing for everyone. Watch the trailer down below for all the relevant info, and visit Jazma Online’s interview with Steve Deger and me.

 

 

Some random quotes from the book (and this is a thick book):

 

A man wrapped up in himself makes a very small bundle
Benjamin Franklin, Inventor, statesman and US founding father

 

Any life truly lived is a risky business, and if one puts up too many fences against the risks one ends by shutting out life itself
Kenneth S. Davis, Historian

 

Just because a man lacks the use of his eyes doesn’t mean he lacks vision
Stevie Wonder, Award-winning blind singer and song-writer

 

Below are some bios of the people involved in making the video trailer. Considering how awesome the trailer is, by all means check out their websites and their other works! Oh, as for me, I’m finishing the last 1/3 of “Odd Is On Our Side”. Definitely better than the first book, it is!

 
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Steve Deger is a bestselling inspirational author. He is the co-creator of the Positive Quotation series, which has sold more than half a million copies and spent more than two years on the U.S. bestseller charts for reference, self-help, and young adult nonfiction. He is the book publisher at Fairview Press, whose authors have been featured on Oprah, The Tonight Show with Jay Leno, the Today show, and in hundreds of other media outlets. Steve lives in Minneapolis, Minnesota. Information on the Boy’s Book of Positive Quotations can be found at http://www.fairviewpress.org/
 
 
Lindsey Testolin is a New York filmmaker whose work has been screened or featured in venues such as the Sundance Film Festival, the Vienna Independent Short Films Festival, the Melbourne International Animation Festival and the New Zealand Film Festival. She won two Telly Awards for her direction of Dan Pink’s book trailer “The Adventures of Johnny Bunko”, which featured manga artwork by Rob Ten Pas, who won the Grand Prize Award in TokyoPop’s Rising Stars of Manga competition. Visit Lindsey’s website at http://www.lindseytestolin.com/ .

 
 

The Blind Shake is a punk/fuzz rock band from Minneapolis, Minnesota. Brothers Jim and Mike Blaha—along with Dave Roper—started The Blind Shake and released their first recording in 2004. They have gone on to release two full length albums and a handful of 7″ records with Indie label Learning Curve Records. In 2009, they released a split album called “Cold Town/Soft Zodiac” with noise rock icon Michael Yonkers, whose 1968 album “Microminiature Love” was re-released in 2003 by Seattle’s legendary SubPop records . Visit their website at www.theblindshake.com or hear an archived public radio interview and studio session at: http://minnesota.publicradio.org/display/web/2009/08/03/the_blind_shake/ .