Yunyu: The Christmas Chain Saw Massacre

Posted onDecember 15, 2011September 30, 20134 Comments

Hi all! Christmas is coming up, and I just finished inking chapter 1 of Small Shen. There’s still chapter 2 to go, so hopefully I’ll be able to finish that by the end of this month. No Christmas holidays for me, but that’s the way it’s always been when I’m working on a book. So I’m used to it.

This week I’m showing something I did for my musician friend Yunyu. She’s been re-writing Christmas songs to suit her darkly subversive world views, and along with Zombie Christmas, this year it’s Were-Santa. The song takes the hot-button issues of this year, specifically werewolves and misbehaving Wall Street CEOs, and mixes the two together to create… something you can troll people with at the upcoming Christmas parties. Hey, I consider this song a happy song. And ofcourse, I created some appropriate album art for it.

To get your FREE copy of the song Were-Santa, join Yunyu’s Mailing List and it will be sent to you!

You can also listen to the song and download it at SoundCloud.

Lyrics

It’s the crap-crappiest time of the year
My head’s jingle belling,
And hippies are telling me
“Be of good cheer”
It’s my most sorrowful time of the year

It’s the crap-crappiest season of all
When I become Santa,
and no I’m not mental
I just want a cure
from this crap-crappiest sickness of all

I was making a killing
In stock market trading
Cashing in on all the loopholes
I’m worse than Charles Ponzi
I took more than Madoff
But hey you’re not perfect yourself

It’s my most sorrowful time of the year
A were-santa he got me
he bit me that bastard
and now once a year
I’m transformed into this ponce with the bells

I’ll pay anything for a cure
for this sickness
and swap this for lycanthropy
And anything’s better than riding with sleigh bells
and giving my fortunes away.

It’s my most sorrowful time of the year
my pockets are echoing
my world is ending and
Don’t you dare cheer
It’s the most sorrowful time
It’s the most sorrowful time

It’s the most sorrowful time of the year

Small Shen: Some Art

Posted onNovember 17, 2011September 30, 201327 Comments

Well, I’ve been crocheting a lot of cool amigurumi toys lately, which I’ll show in the next few weeks, but I also finished pencils for chapter 1 (of 9) of Small Shen, my collaboration with author Kylie Chan. This is a Chinese Fantasy story and is a prequel to her White Tiger series, and people who are familiar with what I like to draw best will probably know that I’m in my element here.

I’m sure you’re all wondering what Small Shen is about, so here are a few sample pages from chapter 1. Some are inked/toned and others are still in pencils, but you can probably get a good idea of how the art will turn out from these samples. Since Small Shen won’t be out (from Harper Collins) until Christmas 2012, I’ll probably show more later on next year.

Amazon.com Widgets

NB. And yes, if you know your Chinese mythology, I can tell you that “Gold” and “Jade” are references to the demi-semi-gods “Golden Boy” and “Jade Girl”. The story’s written by Kylie though, so if you want to know more about how she uses these characters, I suggest you read White Tiger, which is the first actual book in the series.

Pages 1 – 3

Pages 15 – 17

House of Odd Art

Posted onJuly 21, 2011September 30, 20133 Comments

The last part of Odd Thomas 3 has finally been approved, and I can now work towards finishing the book! 40 pages left to ink before the end!

I realise I haven’t posted some art up for a while, so this week I’m posting up page 24 of “House of Odd”, the third Odd Thomas book. To give people an idea of how the art is adapted from the script, and the progression of the art from pencils to the final pages, I’ve put it here in stages.

The first stage is ofcourse the script, which in this case is written by someone else (with me acting as the illustrator only). This may be a good example of how to write a script.

PAGE 24

PANEL 1: Having turned away, Nedra walks into the house. Odd and Stormy follow behind her

STORMY: So, Ms. Nolan . . . Ozzie said you think this house is haunted?

NEDRA: These spirits are as spoiled rotten as any movie star.

PANEL 2: Reverse angle from the last panel, so we can see the characters walking towards the camera. In the background, behind them, the front door is now shut.

NEDRA: They think it’s all about them, them, them.

PANEL 3: Odd cocks his head to one side, eyes rolling a bit in frustration and bemusement. Nedra is blissfully unaware of this as she continues to lead them deeper into the mansion.

NEDRA: But it’s really my production.

NEDRA: I told Ozzie that I had no need for amateur ghostbusters like you.

PANEL 4: Stormy’s gaze narrows.

STORMY: Amateurs?

NEDRA: No offense. I’ve called in the professionals!

Next up, are the pencils. You may have noticed that I didn’t follow what was laid out in the panels in the script. This is because I feel that an illustrator’s job in comics is to tell the story as best as it can be told, and if that means not following the script, then so be it.

This isn’t uncommon in comics, since a fair number of artists will have been in situations when they can’t follow a script – mostly because what is described in the panels can’t be depicted in pictorial form. If it happens, it’s not because writers aren’t respected, but because writers aren’t always visual people, and don’t always know if what they’re describing in a panel can actually be drawn.

The inks are next. This part is straight-forward. I use a combination of dip pens (The Zebra G-pen and nikko pen) and Sakura microns to do my inking, and it’s worked for me fine. I find that the look of the art changes depending on the tools you use, but for Odd Thomas, I’ve always stuck with this style of art. Different kinds of stories call for different kinds of art, and Odd Thomas requires art that isn’t stylised or takes artistic lliberties. It’s not that kind of story.

Finally, the tones and dialogue. The tones are done by the wonderful Dee DuPuy, and she uses a program called Deleter ComicWorks, which I then later open up in Photoshop to add the words. And thus, the page is finished and ready for print.

Bentocomics.com – Meet Mimi Sashimi

Posted onMay 21, 2011October 2, 2015

I just came back from a holiday on the Silk Road, spending 10 days traipsing around China with a Hong Kong tour, hitting all the predictable places and having a blast. We went from Urumqi to Turpan, to Hamu, then Dunhuang, from them onto Xian, Luoyang and the Shaolin temple. Sure, the last two isn’t really part of the Silk Road, But I must mention that Xian is a fantastic city and worth going to again sans-tour next time.

Now that I’ve been back for a few days and is rested enough, I bring you something fun and interesting: how we came up with the Bento Mascot for Bento Comics.

Introducting the Bento Mascot: I bring you all the mascots we designed before we decided on the official Bento Mascot, Mimi Sashimi. It was meant to be like a design contest – all the participants in Bento came up with their (mostly) food-related designs, and we collectively chose which one we thought was the cutest. Or the most suitable. Or the most clever. As far as these contests go, the criteria is never stable. It’s just a matter of what catches our eye. Which makes you wonder – what makes a good mascot?

Here’s the runner ups, by:

Dan – A bunch of taco octopuses from outer space

Svetlana – It’s a happily crumpled piece of paper

Myung – Food and the one about to eat it

And the winning entry, mine:

The whole sushi family

I’m not sure what it was about my entry that people seemed to like, despite me initially being too embarrassed to show it. After giggling at everyone else’s mascot designs, it seemed that everyone unanimously liked mine the best.

Perhaps it’s the contrast between the 3 different sushi people – I often find that drawing a few versions of a “tribe” and putting them next to each other can often give personality to what is essentially a bunch of line drawings. It’s human nature to ascribe personalities to a “group” of things, no matter how non-human they look. Observe people pointing at a bunch of clouds and seeing giraffes, elephants and Persian cats. What gives? Looking at the three sushi people, who do you think is the out-going one?

We decided pretty quickly – Mimi Sashimi is our new mascot. We (Svetlana and Dan, mostly) tweaked her design a bit, to make her cuter, rounder, and more edible. Look out for more members of the sushi family later on!

Queenie Chan

OEL Manga, Comics & Everything Else Global

Category: Art

Yunyu: The Christmas Chain Saw Massacre

Small Shen: Some Art

House of Odd Art

Bentocomics.com – Meet Mimi Sashimi