The Dreaming: And so…

I finished the inking for Chapter 1 on… Monday. However, it turns out that I had this week off because they apparently need to check the inks before I start toning. My editor says she’ll get the inking notes and the notes for Chapter 2 to me by Thursday night her time, which means Friday afternoon my time. So there you go, an entire work-week gone – if only I knew the inking must be checked beforehand, I would have asked my editor to approve Chapter 2 earlier. Oh well.

I’ve already planned out my schedule: 3 weeks for each Chapter, including inking and toning, is my plan. This schedule ends on the 22nd May, leaving a week before the 1st June. However, my scheduling doesn’t take into account that there would be any lag time for approving inks (and from the rate things are going, pencils too). And judging by the progress, it’ll take at least 4 working days for these to be approved.

Luckily I’ve told my editor to approve my pencils (which are approved separately from the inks) as fast she can, so when I’m waiting for the verdict on the inks, I’ll have SOMETHING to do. I think I may be one of the few creators that’s not being hounded by an editor for missing deadlines, but instead hounding the editor to hurry it up so I can finish the goddamn thing and do some other stuff.

 

Ten Years Ago Today

I’m grateful that my work “The Dreaming” for TokyoPop isn’t the most important thing in my life, or even my manga-drawing life. It’ll be so depressing if it was. The web is where I got started, and I won’t stop drawing short stories and experimenting on that front – best way to share my work with people. Anyway, as sucky as the scheduling problems have been, I’m grateful I’ve had a week off to knock together a short story for another anthology I’m contributing to (2 contributions due this month, AIEE!). This one’s a 10-page “Twilight Zone” sort of short story, and is drawn ona 6″x9″ page. I find that drawing quality of a 1 to 1 ratio still is passable – and I work quicker too. I also mixed traditional ComicWorks tones with greyscale tones, much like what I’m doing with “The Dreaming” – hopefully spooky things won’t happen during printing. There is also more sound effects in this short story than other stories I do – but so what? Apparently, there isn’t all that much difference.

I’m only sticking up 4 out of the 10 pages. This story’s for a printed anthology after all.

 

Ten Years Ago Today - Page 1

—————————–

 

Ten Years Ago Today - Page 2

 

—————————–

 

Ten Years Ago Today - Page 3

 

—————————–

 

Ten Years Ago Today - Page 4

 

—————————–

 

Rough Cover #2.5

Here’s another rough cover I’ve been asked to do for “The Dreaming” that’s very much like cover #2 – because cover #2 was really based on this cover and it was suggested I make the hands “creepier”. Well, we all know how that turned out. I’m 😐 about this one. I don’t know what to think, as it was the last of my original 7 cover submissions and for some reason they asked me to do this one (when this cover was the one I put the LEAST amount of thought into). I’ve always thought the very first one was my #1 preference, beyond everything else, so who knows? It’s marketing that chooses the cover, not me, so at least I’ll have someone to blame if people don’t like the cover of “The Dreaming”.

 

The Dreaming - Rough Cover 3

The Dreaming: Rough Cover 2

Here’s another rough cover for “The Dreaming”. I don’t like it at all. >_< In fact, the more I look at it, the less I like it. It didn’t look as bad last night, but when I woke up this morning and had a good look at it, it’s like… YURK!! It took me a while to figure out why I hate it so much. It’s because this cover gives the wrong impression of what the book is really like. It makes it as if there are ghosts popping out of every corner and blood and guts, whereas this is meant to be a mystery-horror with more emphasis on plot and atmosphere rather than the “horror” bit. This cover – even though it needs fixing – is unrepentantly “pulp-horror”. It is… TOTALLY unsuitable for “The Dreaming”.

This was done in exactly the same way as the first one, I earlier version I played with the contrast and hue afterwards, giving the red a garish, bloody look. But in the light of the above, I decided to tone it back down, not that it makes much difference. But hey, this is just a draft so it doesn’t matter anyway (hopefully marketing will choose the first one).

 

The Dreaming - Rough Cover 2

 

More comparisons: I tried toying with the colours again in this second cover, but nope – it’s beyond redemption. To be honest, the trouble is with the concept, not so much the colours, though they just make it worse. I find that the more red I put in the picture, the more “pulpish horror” it looks, but if I take away the red, then the picture would have nothing to catch a person’s eye with. I tried brightening the other colours, but that makes it even more pulpish. I tried darkening the ghostly purple-blue to a plain darker blue, but again, it doesn’t make much difference.

The bottom line is: cover #1 portrays a better sense of mystery than cover #2. The “mystery” part is the key. You take one look at cover 2 and you think it’s a horror, which is EXACTLY the sort of impression I don’t want, because the emphasis is on the STORY and SETTING, not the gross-out bits. There AREN’T any gross-out scenes in “The Dreaming”, or even much blood (no blood, actually). Not to say cover #2 is a horrible cover, but it doesn’t give the right impression for the book. If the story was titled “Tales of the Crypt” or “Nighttime Horrors”, then YEAH, that WOULD be a more suitable cover. But it’s not, and if cover #2 makes it onto the shelves, it would frustrate people hoping to pick up a gory story, while driving away people looking for something more toned-down.

 

The Dreaming: Rough Cover

I’m now working on some rough covers for “The Dreaming”. This is my preferred cover, but the art director didn’t like it at all at first (the b&w version, that is). Luckily, with a bit of colour and the blurring effect, he seems to like it more now (I’ll still have to colour his choice in). Since this one didn’t take me long to do (about 4 hours), I’m going to be doing an extra cover or two so marketing can have a choice. The runners-up can be used for the next book.

This was done in Corel Painter 9 – I’m sure people would remember my adventures with this a few weeks ago. After having it for a month, I STILL couldn’t get the watercolour feature the way I want. I’m beginning to suspect the reason is not the software, but because I’ve never done watercolour properly in my life. That may explain why I can never get the effect I want no matter how I tweak it. I find myself growing fond of the airbrush function instead… So far, the grand total of all 3 cgs done in CP9 was airbrushed. Perhaps I should just stop spending my hours on watercolour attempts and try acrylics or other medium instead.

Remember, this is a very rough draft. And a Merry Xmas to y’all!

 

The Dreaming - Rough Cover

Announcement: The Dreaming for TOKYOPOP

Well, it’s the 6th November 2004, and the secret’s finally over. Or, I can keep it no longer and has been granted permission to blab by TokyoPop. I’m drawing a fully original, 3-book series (160 pages each) for TokyoPop, titled “The Dreaming”. It’s a mystery-horror, not quite like anything else I’ve attempted before, and more details are posted on my site at http://www.queeniechan.com/.