Hatshepsut Full-Colour Zine – 30 Pages

I’ve decided to do a test print version of my “Hatshepsut” 30-page short story, using the kind of glossy paper that is normally reserved for flyers. The colours turned out great! I printed about 50 copies of these zines in A5 to share with people and get feedback. The writing may be a bit small since it’s been shrunk down from a larger size (6″x9″) to A5, but it’s still perfectly readable.

For those interested in where the visual references came from, I have a bunch of posts on the visual research I did to produce this.

Germinate Exhibition – 1st~26th November 2017

Hello, all! I’m part of an annual exhibition by the Sydney Comics Guild which is being held at Artshine Gallery. This year’s theme is Germinate, and it’s an exhibition that is meant to show the creative process from sketch to finished artwork. Like everyone else, I’m showing 3 artworks that show the sketch, the flats and the final design of my characters for a story called “Blue Moon Zodiac”.

When: Opening Day is Sat 4th November @ 12-3pm
Where: Artshine Gallery @ 3 Blackfriars St, Chippendale (15 minutes walk from Central Station)
Cost: FREE! Come along and listen to the artist’s talks!
Artwork: My artwork is set at the price for $220 for the A4 piece, and $140 for the A5 piece.

Come along and enjoy the artists talking about their creative process!

Colouring Tests: Fabled Kingdom Chapter 2

After my colouring tests for Chapter 1, I’ve now moved onto the colouring test for Chapter 2 for “Fabled Kingdom”. This is different to Chapter 1, because these are all scenes set at night, which means that the colours would all be darker and duller. I had to use the same palette as Chapter 1, because I don’t want the colours to look different chapter-by-chapter, and the end result is that the colours turned out somewhat dull.

I’m not quite happy with these colours, but I realise that if I were to use the same palette, this sort of thing is unavoidable. That said, I’m currently moving onto my next project, which uses the same palette from a totally different drawing style, so I may put this down for now, while I do my next work.

Digital Watercolour – Chinese Opera Singer

This was a gift, done in digital watercolour in Clip Studio Paint. I like the brushes in CSP, but unfortunately, even now, I can’t really get used to the way that you need to press down hard on the drawing tablet to get the watercolour function to behave the way it’s supposed to. Believe it or not, it tires out my hand, and I much prefer just using the airbrush function in Photoshop CS to colour.

This was also the first colour picture I’ve done that I inked digitally. It was a disaster – I hate digital inking and it seems that nothing has changed. It’s much faster to ink by hand, so that’s what I’ll continue to do. I inked it based off the sketch below.